Because nothing matters
saisonciel:

Mary Pickford by Moody, 1910s

saisonciel:

Mary Pickford by Moody, 1910s

flowerfield:

Bob Dylan at his home in Woodstock, NY by Elliott Landy

flowerfield:

Bob Dylan at his home in Woodstock, NY by Elliott Landy

(Source: muysuigeneris)

beardtoken:

mattystanfield:

Clint Eastwood | Shirley MacLaine | 1969
Photograph | Lawrence Schiller 

This is a great photo.

beardtoken:

mattystanfield:

Clint Eastwood | Shirley MacLaine | 1969

Photograph | Lawrence Schiller 

This is a great photo.


Seine, Paris, 1951 by Wolf Suschitzky

Seine, Paris, 1951 by Wolf Suschitzky

(Source: adieufranz)

poboh:

Quai de la Seine, Paris, 1940, Théo Blanc. (1891 - 1985) and Antoine Demilly. (1892 - 1964)

poboh:

Quai de la Seine, Paris, 1940, Théo Blanc. (1891 - 1985) and Antoine Demilly. (1892 - 1964)

poboh:

Paris,  Serge de Sazo.
ryanpanos:

Archisculpture 013 by Beomsik Won

ryanpanos:

Archisculpture 013 by Beomsik Won

thedarlingchild:

fan photographs of the doors in concert, 1967.

voigtf64:

Thames at Battersea sq

voigtf64:

Thames at Battersea sq

poboh:

Josef Sudek.

poboh:

Josef Sudek.

weareallprostitutesandjunkies:

Heather Graham by Dewey Nicks

weareallprostitutesandjunkies:

Heather Graham by Dewey Nicks

kvetchlandia:

Dmitri Kasterine     Kurt Vonnegut, London       1981
“Here we are, trapped in the amber of the moment. There is no why.”  Kurt Vonnegut

kvetchlandia:

Dmitri Kasterine     Kurt Vonnegut, London       1981

“Here we are, trapped in the amber of the moment. There is no why.”  Kurt Vonnegut

secretcinema1:

Iris and Janet, Bury Knowle, Headington, Oxford, 1914, Ethelreda Laing
Ethelreda Laing’s autochrome of her daughters is an example of early colour photography. The autochrome process used a random mosaic of coloured potato starch grains on a glass plate covered with a photographic emulsion which, when exposed to light and developed, produced a full-colour positive transparency. The process (patented by the Lumière brothers in 1903) continued to be the most popular colour process until the early 1930s.

secretcinema1:

Iris and JanetBury Knowle, Headington, Oxford, 1914, Ethelreda Laing

Ethelreda Laing’s autochrome of her daughters is an example of early colour photography. The autochrome process used a random mosaic of coloured potato starch grains on a glass plate covered with a photographic emulsion which, when exposed to light and developed, produced a full-colour positive transparency. The process (patented by the Lumière brothers in 1903) continued to be the most popular colour process until the early 1930s.

(Source: oldchum)